MAURICE BENYOWSKI

In Adversity and Prosperity
IN ADVERSIS ET PROSPERIS
Two distinctive artistic visions of Maurice Benyowski, inspired by a photographed emblem bearing a Latin motto. The first is an epic journey through storms, voyages and distant shores; the second tells the story in six striking retro panels around a circular seal.
A motif of courage, travel and perseverance. Maurice Benyowski was a historical figure; the words printed in these comic panels are imaginative dialogue, not documented quotations.
IN ADVERSIS ET PROSPERIS — V nepriazni aj v priazni / In Adversity and Prosperity.


He dared leave the known world for another.
Móric Beňovský: nobleman, soldier, builder and explorer. In this visual tale, he believed one life could change the world.
He faced storms that might have broken others. The sea was destiny, not defeat.
He crossed unfamiliar lands, deserts and jungles. The comic evokes captivity, escape, hunger and endless journeys.
Rather than fear differences, he searched for common purpose. He looked for allies, not enemies.
His journey carried him from Europe to Madagascar. Here the artwork imagines a dream of freedom and self-rule.
Always onward, toward new horizons. Through falls and triumphs, the desire to dream, explore and build endured.
I was born in a free land, but the world calls me further.
Adversity is another stage on the journey. I move forward.
Every nation has its own story. Respect and curiosity open doors.
Here we build a new home together with the local people.
Success and failure both belong to the path. What matters is remaining true to our principles.
May courage, freedom and humanity guide us in good times and bad.
Historically inspired creative visualization, not an exact reconstruction of events. The emblem is reproduced from a supplied photograph; the historical authenticity of this particular graphic seal has not been established. Dialogue is fictional, not a verbatim quotation from Benyowski.
A — original epic poster; B — alternative six-panel retro artwork. English relettering of A was precisely composed on the original illustration; the original Slovak master is preserved.